Davidson, Suzanne and Faneem Zaki Farsi. Noor Riyadh “Light Upon Light Exhibition.” Riyadh: Royal Commission for Riyadh City., 2021.
Hudson, Suzanne. Contemporary Painting. London: Thames & Hudson Ltd., 2021.
Curiger, Bice. My Cartography. The Erling Kagge Collection. Spain: Bold Editing & Printing, 2020.
De Bellis, Vincenzo. “The Paradox of Stillness,” Minneapolis: Walker Art Center, 2020.
Gowing, Mark and Genevieve O’Callaghan.Making Art Public. Sydney: Kaldor Public Art Projects, 2020.
Schmuckli, Claudia, and Yuk Hui, Janna Keegan, Matteo Pasquinelli, and Tobias Rees. Beyond the Uncanny Valley: Being Human in the Age of AI. New York: Harry N. Abrams, 2020.
Fischer, Urs. Bandaids. New York: Kiito-San, 2019.
———. Headz. New York: Kiito-San, 2019.
———. Paintings 1998-2017. New York: Kiito-San, 2019.
———. Sculptures 2013-2018. New York: Kiito-San. 2019.
Lüchinger, René. Ringen um Ringier. Göttingen: Steidl, 2019.
Garcia, Laia and Jonathan Wingfield. Louis Vuitton ArtyCapucines. Paris: Louis Vuitton, 2019
Jetzer, Gianni. How to See [What Isn’t There]: A Group Show with Works from the Burger Collection, Hong Kong at Langen Foundation, Neuss. Hong Kong: Max and Monique Burger, 2019.
Kaplan, Rebecca. Architectural Digest at 100: A Century of Style: New York: Abrams, 2019.
Olson, Loren. New Figurative Painting. New York: Rizzoli Electa, 2019.
Statie stuifduin. Rotterdam: nai010, 2018.
Destination Art: 500 Artworks Worth the Trip. London: Phaidon Press, 2018.
Blackall, Judith, ed. EuroVisions: Contemporary Art from the Goldberg Collection. Sydney: National Art School, 2017.
Fischer, Urs. Bruno & Yoyo. St. Moritz, Switzerland: Vito Schnabel Gallery; New York: Kiito-San, 2017.
———. Mon cher… Arles, France: Fondation Vincent Van Gogh, 2017.
———. Phantom Paintings. New York: Kiito-San, 2017.
Gioni, Massimiliano, and Cecilia Alemani. The Trick Brain: Selections from the Tony and Elham Salamé Collection—Aïshti Foundation. Milan: Skira, 2017.
Marta, Karen, and Brooke Holmes. Liquid Antiquity. Geneva: The Deste Foundation for Contemporary Art, 2017.
Minimalism & Beyond. New York: Mnuchin Gallery, 2017.
Phillips, Lisa, ed. 40 Years New. New York: New Museum, 2017.
Vitamin C: Clay & Ceramic in Contemporary Art. London: Phaidon, 2017.
Baum, Kelly, Andrea Bayer, and Sheena Wagstaff. Unfinished: Thoughts Left Visible. New York: The Metropolitan Museum of Art, 2016.
Bethenod, Martin, et al. Dancing with Myself: Self-Portrait and Self-Invention. Göttingen, Germany: Edition Folkwang / Steidl, 2016.
Bürgi, Bernhard Mendes. Sculpture on the Move 1946–2016. Ostfildern, Germany: Hatje Cantz, 2016.
Diekgerdes, Horst, and Beda Achermann, eds. Horst Diekgerdes. Berlin: Distanz, 2016.
Doswald, Christoph. Press Art: Die Sammlung Annette und Peter Nobel, Vol. II. Berne, Switzerland: Staempfli Verlag AG, 2016.
Friedel, Helmut, ed. Die Kerze: Ein Motiv in der zeitgenössischen Kunst. Cologne, Germany: Verlag der Buchhandlung Walther König, 2016.
Gioni, Massimiliano. Urs Fischer: False Friends. Geneva: DESTE Foundation for Contemporary Art, 2016.
Gioni, Massimiliano and Cecilia Alemani. Good Dreams, Bad Dreams — American Mythologies: Selections from the Tony and Elham Salamé Collection—Aïshti Foundation. Milan: Skira, 2016.
Pinault Collection Numero 06. Paris: Pinault Collection, 2016.
Roberts, Jennifer, ed. Scale. Chicago: Terra Foundation for American Art, 2016.
Salle, David. How to See. New York: W.W. Norton, 2016.
Aitken, Doug. Station to Station. London: Prestel, 2015.
Codognato, Mario, and Agnes Husslein-Arco. Sleepless: The Bed in History and Contemporary Art. Vienna: 21er Haus, 2015.
A Few Free Years. From Absalon to Zobernig: Donations by Friedrich Christian Flick to the Nationalgalerie. Berlin: Staatliche Museen zu Berlin, 2015.
Fischer, Urs. Yes. New York: Kiito-San, 2015.
———. Julian. New York: Karma, 2015.
Gioni Massimiliano, and Cecilia Alemani. New Skin: Selections from the Tony and Elham Salamé Collection—Aïshti Foundation. Milan: Skira, 2015.
Heyler, Joanne, ed. The Broad Collection. New York: Prestel, 2015.
Hudson, Suzanne. Painting Now. New York: Thames & Hudson, 2015.
Marta, Karen, Nell McClister, and Eleni Michaelidi. DESTE 33 Years: 1983–2015. Athens: DESTE Foundation for Contemporary Art, 2015.
Messmer, Carmen. Stuffed: Stofftiere in der installativen Kunst. Berlin: Dietrich Reimer Verlag, 2015.
Milazzo, Richard. The Mannequin of History: Art after Fabrications of Critique and Culture. Modena, Italy: Franco Cosimo Panini, 2015.
Sprayed: Works from 1929–2015. London: Gagosian Gallery, 2015.
An American in Paris: Works from a Private Collection. Paris: Gagosian Gallery, 2014.
Art Lovers: Stories of Art in the Pinault Collection. Paris: Lienart éditions, 2014.
Cotter, Suzanne. 25 Works from the Serralves Collection. Porto, Portugal: Fundação de Serralves, 2014.
Pinault Collection Numero 02. Paris: Pinault Collection, 2014.
Rugoff, Ralph. The Human Factor: The Figure in Contemporary Sculpture. London: Hayward Publishing, 2014.
Ward, Ossian. Ways of Looking: How to Experience Contemporary Art. London: Lawrence King Publishing, 2014.
Brougher, Kerry, Russell Ferguson, and Dario Gamboni. Damage Control: Art and Destruction Since 1950. Washington, DC: Hirschhorn Museum and Sculpture Garden, 2013.
Curiger, Bice. Barroco exuberante: De Cattelan a Zurbarán—Manifiestos de la precariedad vital. Bilbao: Museo Guggenheim Bilbao, 2013.
de Seta, Cesare. Biennali souvenir. Milan: Mondadori Electa, 2013: 112–5.
Ferriani, Barbara, and Marina Pugliese. Ephemeral Monuments: History and Conservation of Installation Art. Los Angeles: Getty Publications, 2013.
Fischer, Urs. The Making of Yes. New York: Kiito-San, 2013. Photographs by Cassandra MacLeod.
———. Urs Fischer. New York: Kiito-San, 2013. Foreword by Jeffrey Deitch; essays by Jessica Morgan and Ulrich Lehmann.
Friedman, Samantha. Van Gogh, Dalí, and Beyond: The World Reimagined. New York: The Museum of Modern Art; Perth, Art Gallery of Western Australia, 2013: 95.
Gioni, Massimiliano. 2000 Words: Urs Fischer. Athens: DESTE Foundation for Contemporary Art, 2013. Essay by Jessica Morgan.
Gnyp, Marta. Made in Mind: Myths and Realities of the Contemporary Artist. Stockholm: Art and Theory, 2013: 95–101.
Guérif, Andy. 1 et 1 font 3. Paris: Éditions Palette, 2013.
Holzwarth, Hans Werner. Art Now, Volume 4. Cologne: Taschen, 2013: 134–7.
Lehmann-Reupert, Susanne. Von New York lernen: Mit Stuhl, Tisch und Sonnenschirm. Ostfildern, Germany: Hatje Cantz, 2013.
Martin, Nicolas. Le Grand Magasin Surrealiste. Paris: Éditions Palette, 2013.
The MOCA Index: 2010–13. Los Angeles: The Museum of Contemporary Art, 2013.
Moszynska, Anna. Sculpture Now. London: Thames & Hudson, 2013.
Pancotto, Pier Paolo. Arte contemporanea: il nuovo millennio. Rome: Carcocci editore, 2013.
Parkett—220 Artists’ Editions & Collaborations Since 1984 + 5. Taipei: Taipei Fine Arts Museum, 2013.
Blancsubé, Michel. Poule! Ecatepec, Mexico: Fundación/Colección Jumex, 2012.
Chaillou, Timothée. Seuls quelques fragments de nous toucheront quelques fragments d’autrui (Only parts of us will ever touch parts of others). Paris/Salzburg: Galerie Thaddaeus Ropac, 2012.
Curiger, Bice. Deftig Barock. Von Cattelan bis Zurbarán—Manifeste des prekär Vitalen. Zurich: Kunsthaus Zürich, 2012.
Deitch, Jeffrey. The Painting Factory: Abstraction after Warhol. New York: Skira Rizzoli, 2012.
Driessen, Chris, and Heidi van Mierlo, eds. Raw Stardust—Excursions in Contemporary Sculpture II. Tilburg, The Netherlands: Fundament Foundation, 2012.
Fischer, Urs. Beds & Problem Paintings. Beverly Hills, California: Gagosian Gallery, 2012. Essay by Adam McEwen.
———. Madame Fisscher. New York: Kiito-San, 2012. Introduction by Caroline Bourgeois; essays by Patricia Falguiéres and Michele Robecchi.
———. Oscar the Grouch. Greenwich, Connecticut: The Brant Foundation; New York: Kiito-San, 2012.
———. Skinny Sunrise. New York: Kiito-San, 2012. Interview by Gerald Matt.
Fischer, Urs, and Georg Herold. Necrophonia. New York: Kiito-San, 2012. Text by Barnett Newman.
Grant, Simon. In My View: Personal Reflections on Art by Today’s Leading Artists. London: Thames & Hudson, 2012: 84–5.
Grenier, Catherine. Salvador Dalí: The Making of an Artist. Paris: Flammarion, 2012: 251.
Sympathy for the Devil: Vanhaerents Art Collection. Tielt, Belgium: Lannoo: 2012.
Birnbaum, Daniel, et al. Defining Contemporary Art. London: Phaidon Press, 2011: 400–1.
Bourgeois, Caroline. The World Belongs to You. Milan: Electa, 2011.
Curiger, Bice, and Giovanni Carmine. ILLUMInazioni / ILLUMInations: Biennale Arte 2011. Venice: La Biennale di Venezia, 2011.
Fischer, Urs. dngszjkdufiy bgxfjkglijkhtr kydjkhgdghjkd. Self-published artist’s book in three parts, 2011.
Hapgood, Susan, and Cornelia Lauf, eds. In Deed: Certificates of Authenticity in Art. Amsterdam: Roma Publications, 2011.
L’invention de l’oeuvre: Rodin & les ambassadeurs. Paris: Musée Rodin / Actes Sud, 2011.
Taylor, Víctor Zamudio. Now: obras de La Colección Jumex. Barcelona: SYL, 2011.
Tunnicliffe, Wayne, ed. John Kaldor Family Collection: Art Gallery of New South Wales. Sydney: Art Gallery of New South Wales, 2011.
Urs Fischer: Untitled (Lamp / Bear). New York: Christie’s, 2011.
Alpha Omega: Works from the Dakis Joannou Collection. Athens: Deste Foundation, 2010.
Cavallucci, Favio. Post Monument: XIV Biennale Internazionale di Scultura di Carrara. Milan: Silvana Editoriale, 2010.
Curtis, Penelope, and Keith Wilson, eds. Modern British Sculpture. London: Royal Academy of Arts, 2010.
FACE: Investigations of a Dog: Works from Five European Art Foundations. Zurich: JRP|Ringier Kunstverlag, 2010.
Fischer, Urs, and Darren Bader. The Bearded Island / The Artist’s Lament. Self-published artist’s book, 2010.
Gioni, Massimiliano, ed. What Good Is the Moon?: The Exhibitions of the Trussardi Foundation. Ostfildern, Germany: Hatje Cantz, 2010. Interview by Massimiliano Gioni.
Hack, Jefferson, ed. AnOther Art Book. Paris: Edition 7L, 2010.
Julliard, Julie Enckell. Voici un dessin suisse: 1990–2010. Zurich: JRP|Ringier Kunstverlag, 2010.
Koller, Gabriel, Edek Bartz, and Gerald Bast. Secret Passion: Artists and their musical desires. Vienna: Springer, 2010.
The New Décor. London: Hayward Publishing, 2010.
Remembering Henry’s Show: Selected Works 1978–2008. Greenwich, CT: The Brant Foundation, 2010.
Rosenberg, David. Art of Flying: The New Horizons of Art. New York: Assouline Publishing, 2010.
Skin Fruit: Selections from the Dakis Joannou Collection. New York: New Museum, 2010.
Vanhaerents, Walter, ed. Disorder in the House: Vanhaerents Art Collection. Tielt, Belgium: Lannoo, 2010.
200 Artworks—25 Years: Artists’ Editions for Parkett. Zurich: Parkett Publishers, 2009.
Fischer, Urs. Shovel in a Hole. New York: New Museum, 2009. Essays by Bice Curiger and Jessica Morgan; interview by Massimiliano Gioni.
Forbat, Sophie. 40 Years: Kaldor Public Art Projects. Sydney: Kaldor Public Art Projects, 2009.
Gingeras, Alison M., and Francesco Bonami. Mapping the Studio: Artists from the François Pinault Collection. Venice: Palazzo Grassi, 2009.
Kurjakovic, Daniel. Conflicting Tales: Subjectivity (Quadrilogy, Part 1). Zurich: JRP|Ringier Kunstverlag, 2009.
Munder, Heike, and Adam Budak. Bewitched, Bothered, and Bewildered: Spatial Emotion in Contemporary Art and Architecture. Zurich: Migros Museum für Gegenwartskunst, 2009.
Rattemeyer, Christian. The Judith Rothschild Foundation Contemporary Drawings Collection Catalogue Raisonné. New York: The Museum of Modern Art, 2009.
Roselione-Valadez, Juan, ed. Beg Borrow and Steal. Miami: Rubell Family Collection, 2009.
Smith, Josh, and Todd Amicon. A Guest + A Host = A Ghost. Athens: Deste Foundation for Contemporary Art, 2009.
Vitamin 3-D: new perspectives in sculpture and installation. London: Phaidon Press, 2009: 128–31.
Bidner, Stefan, ed. Franz West—Soufflé, eine Massenausstellung. Innsbruck, Austria: Kunstraum, 2008.
Fischer, Urs. Helmar Lerski. Self-published artist’s book, 2008.
———. Who’s Afraid of Jasper Johns? Self-published artist’s book, 2008.
Fischer, Urs, and Scipio Schneider, eds. Fractured Figure: Works from the Dakis Joannou Collection. Athens: Deste Foundation for Contemporary Art, 2008.
Four Friends. New York: Tony Shafrazi Gallery, 2008.
Heiser, Jörg. All of a Sudden: Things that Matter in Contemporary Art. New York: Sternberg Press, 2008.
Migros Museum für Gegenwartskunst: Sammlung / Collection 1978–2008. Zurich: JRP|Ringier Kunstverlag, 2008.
Rehberg, Vivian, and Hans Werner Holzwarth, ed. Art Now, Volume 3. Cologne: Taschen, 2008: 160–3.
Ruf, Beatrix, ed. Blasted Allegories: Works from the Ringier Collection. Zurich: JRP|Ringier Kunstverlag, 2008.
Becher, Jörg. Die 50 wichtigsten Künstler der Schweiz. Basel: Echtzeit Verlag, 2007.
Berard, Emmanuel, and Emanuela Mazzonis, eds. Sequence 1: Painting and Sculpture from the François Pinault Collection. Venice: Palazzo Grassi, 2007.
Bundesamt für Kultur, ed. Swiss Art Award 2007. Bern, Switzerland: Bundesamt für Kultur BAK, 2007.
Fischer, Urs, and Cassandra MacLeod, eds. Fractured Figure: Works from the Dakis Joannou Collection. Athens: Deste Foundation for Contemporary Art, 2007.
Fischer, Urs, and Rudolf Stingel. Urs Fischer / Rudolf Stingel. Milan: Galleria Massimo de Carlo, 2007.
Flood, Richard, Massimiliano Gioni, and Laura Hoptman, eds. Unmonumental: The Object in the 21st Century. New York: New Museum, 2007.
Hoffmann, Jens, and Christina Kennedy, eds. The Studio. Dublin: Dublin City Gallery The Hugh Lane, 2007.
Ironia Domestica / Ironie der Objekte. Bolzano, Italy: Museion, 2007.
Kaiser, Firma Renate, ed. The Hamsterwheel / Wheeeeel. Toulouse, France: Le Printemps de septembre, 2007.
Kurjakovic, Daniel. Album—on and around Urs Fischer, Yves Netzhammer, Ugo Rondinone, and Christine Streuli, participating at the 52nd Venice Biennale. Zurich: JRP|Ringier Kunstverlag, 2007. Interview by Daniel Kurjakovic.
Matt, Gerald, Eedelbert Köb, and Angela Stief, eds. Traum & Trauma: Werke aus der Sammlung Dakis Joannou, Athen. Ostfildern, Germany: Hatje Cantz, 2007.
Moisdon, Stéphanie, and Hans Ulrich Obrist, eds. Lyon Biennial 2007: The 00s: The History of a Decade that Has Not Yet Been Named. Zurich: JRP|Ringier Kunstverlag, 2007.
Urs Fischer: Cockatoo Island, Sydney. Sydney: Kaldor Public Art Projects, 2007.
Bonami, Francesco. Infinite Painting. Codroipo, Italy: Villa Manin Centro d’Arte Contemporanea, 2006.
Fischer, Urs. Paris 1919. Zurich: JRP|Ringier Kunstverlag, 2006. Essay by Rein Wolfs.
Gingeras, Alison M. La collezione François Pinault. Una selezione Post-Pop. Venice: Palazzo Grassi, 2006.
Gingeras, Alison M., and Jack Bankowsky. Where Are We Going? Selections from the François Pinault Collection. Venice: Palazzo Grassi, 2006.
Iles, Chrissie, and Philippe Vergne. Whitney Biennial 2006: Day for Night. New York: Whitney Museum of American Art, 2006.
Lindemann, Adam. Collecting Contemporary. Cologne: Taschen, 2006.
Schmuckli, Claudia. Mary Poppins. Houston: Blaffer Gallery, 2006. Essay by Claudia Schmuckli.
Schmidt, Jason. The Artists. Paris: Edition 7L, 2006.
The Vincent van Gogh biennial award for contemporary art in Europe. Amsterdam: Stedelijk Museum, 2006.
Webster, Toby. Strange I’ve seen that face before: Objekt, Gestalt, Phantom. Cologne: DuMont, 2006.
Fischer, Urs. Mr. Watson—Come Here—I Want to See You. Hydra, Greece: Hydra Workshop, 2005.
Fischer, Urs, and Eugen Blume. Urs Fischer: Werke aus der Friedrich Christian Flick Collection im Hamburger Bahnhof. Berlin: Hamburger Bahnhof, 2005. Essays by Eugen Blume and Catherine Nichols.
Lacagnina, Salvatore. Ma non al sud: Paolo Chiasera, Enzo Cucchi, Urs Fischer, Peter Fischli & David Weiss. Milan: Silvana Editoriale, 2005.
Morgan, Jessica, and Björn Roth. Material Time, Work Time, Life Time. Revolver: Frankfurt, 2005.
Swiss made (the art of falling apart): Works from the Hauser & Wirth Collection. Zwolle, The Netherlands: Waanders, 2005.
Universal Experience: Art, Life, and the Tourist’s Eye. Chicago: Museum of Contemporary Art, 2005.
Vitamin D: new perspectives in drawing. London: Phaidon Press, 2005: 106–7.
Zybok, Oliver, ed. Goethe abwärts—Deutsche Jungs Etc.: The Falckenberg Collection. Helsinki: Helsinki City Art Museum, 2005.
Central Station: Collection Harald Falckenberg. Paris: La maison rouge, 2004.
Deitch, Jeffrey, ed. Monument to Now: The Dakis Joannou Collection. Athens: Deste Foundation for Contemporary Art, 2004.
Fischer, Urs. Good Smell Make-up Tree. Geneva: JRP Editions, 2004. Music by Garrick Jones.
———. Livre numéro 2. Espace trois-cent-quinze, création contemporaine et prospective. Paris: Éditions du Centre Pompidou, 2004. Essay by Alison M. Gingeras.
Fischer, Urs, and Mirjam Varadinis, eds. Kir Royal. Zurich: JRP|Ringier Kunstverlag, 2004. Essays by Jörg Heiser, Bruce Hainley, and Mirjam Varadinis.
Folie, Sabine. Skulptur: Prekärer Realismus zwischen Melancholie und Komik. Vienna: Kunsthalle Wien, 2004.
Bonami, Francesco. Dreams and Conflicts: The Dictatorship of the Viewer. Venice: La Biennale di Venezia, 2003.
Ruf, Beatrix, ed. Durchzug / Draft: 20 Jahre Stiftung Binz39. Zurich: Kunsthalle Zürich and BINZ39, 2003.
Wahler, Marc-Olivier. Extra. New York: Swiss Institute / Christoph Merian Verlag, 2003.
Bradley, Will, Henriette Bretton-Meyer, and Toby Webster, eds. My Head Is on Fire But My Heart Is Full of Love. Copenhagen: Kunsthal Charlottenborg, 2002.
Unterdörfer, Michaela, ed. The House of Fiction. Sammlung Hauser und Wirth, Lokremise, St. Gallen. Nuremberg, Germany: Verlag für moderne Kunst, 2002.
Haenlein, Carl, and Carsten Ahrens. Ziviler Ungehorsam: Sammlung Falckenberg. Hanover, Germany: Kestner Gesellschaft, 2001.
Mari, Bartomeu, et al. [squatters]. Rotterdam: Witte de With Publishers, 2001.
Fischer, Urs. Time Waste. Radio-Cookie und kaum Zeit, kaum Rat. Glarus, Switzerland: Kunsthaus, 2000. Essay by Beatrix Ruf; interview by Dominic van den Boogerd.
Manifesta 3. Borderline Syndrome. Energies of Defence. Ljubljana: Cankarjev dom, 2000.
Bonami, Francesco, and Hans Ulrich Obrist. Sogni / Dreams. Turin, Italy: Fondazione Sandretto Re Rebaudengo per l’Arte, 1999.
Eidgenössische Preise für Freie Kunst 1999. Zurich: Bundesamt für Kultur and Kunsthalle Zurich, 1999.
Wolfs, Rein, ed., ironisch / ironic. maurizio cattelan, urs fischer, alicia framis, steve mcqueen, aernout mik / marjoleine boonstra. Zurich: Migros Museum für Gegenwartskunst Zürich, 1998
Guarene Arte 97. Turin, Italy: Fondazione Sandretto Re Rebaudengo per l’Arte, 1997.
Preisträgerinnen und Preisträger des Eidgenössischen Wettbewerbs für Freie Kunst. Glarus, Switzerland: Kunsthaus Glarus, 1995.
“Art Edition 2021,” Neue Zürcher Zeitung, Zurich, June 2021, no. 123. (LINK)
Cascone, Sarah. “What Are Famous Artists Cooking up Under Lockdown? Urs Fischer, Chloe Wise, and Others Share Their Deliciously Creative Recipes,” Artnet News, 25 May 2020. (LINK)
High, Thomas. “Andy Warhol, Maurizio Cattelan, and More Feature in the Brant Foundation’s New Exhibition,” L’Officiel, 8 January 2020. (LINK)
Luckel, Madeleine. “22 of the Best and Brightest Kitchens in AD,” Architectural Digest online, 9 June 2020. (LINK)
Parsons, Elly. “The Brant Foundation Tells a Fairytale of New York,” Wallpaper, 29 January 2020. (LINK)
Sheets, Hilarie M. “Some Collectors Take a D.I.Y. Approach; Others Call in the Pros,” The New York Times, 17 January 2020: Section C, page 20. (LINK)
Silva, Horacio. “Peter Brant Is Still Shaking Up the Art World,” Architectural Digest, 27 January 2020. (LINK).
Zahm, Olivier. “Urs Fischer.” Purple Diary, 22 Oct. 2020: 250–255.
Ahmen, Osman. “tote modern,” Tatler, July 2019: 38-39.
Armstrong, Annie. “‘An Artwork Is Not About the Now’: Urs Fischer on His New Gagosian Show, ‘Images,’” Artnews, 11 January 2019. (LINK)
“ArtyCapucines,” The Art Newspaper China, Issue 60, June 2019 : 32-33.
Bara, Elena. “Louis Vuitton presenta la collezione di borse ArtyCapucines,” Vogue Italy, 3 June 2019. (LINK)
Berthier, Mathilde. “Comment l’objet de mode devient objet d’art,” L’Officiel France, 11 June 2019. (LINK)
———. “Louis Vuitton: 6 artistes revisitent le sac star ‘Capucine’ de la Maison Française,” L’Officiel France, 13 June 2019. (LINK)
Burlet, Fleur. “The Story Behind Urs Fischer’s Giant Leonardo DiCaprio Candle,” Women’s Wear Daily, 15 October 2019. (LINK)
Bradfield, Lily. “Art Meets Rock’n’roll at the Hole,” Cultured Magazine, 2 September 2019. (LINK)
Campbell-Johnston, Rachel. “Versions of the Self: Rembrandt and Now review — a high-cultural cocktail party.” The London Times, 19 April 2019. (LINK)
Cerabona, Ron. “National Gallery’s $1 million new acquisition begins melting away,” The Canberra Times, 15 March 2019. (LINK)
Chahine, Vicky. “Fruit de la passion,” M le Magazine du Monde, 29 June 2019.
Croft, Claudia. “Art for Arm’s Sake,” FT How to Spend It, 1 June 2019: 16-20.
D’Acquisto, Germano. “La Versione di Urs,” Marie Claire, 1 July 2019.
Dil, Esma Annemon. “Art de Luxe,” Vogue Germany, August 2019: 45-47, 171.
Downes, Briony. “NGA Curator Jaklyn Babington on #askacurator and watching Francesco melt,” Art Guide Australia, 21 May 2019. (LINK)
Duong, Ha. “Play the Market,” Wall Street Journal, 8 June 2019.
Duponchelle, Valérie. “Urs Fischer, l’Art dans l’Oeil du Cyclone,” Le Figaro, 17 November 2019. (LINK)
Eckardt, Stephanie. “Urs Fischer Made a Giant Leonardo DiCaprio Candle, Then Lit It on Fire,” W Magazine, 14 October 2019.
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Farago, Jason. “Tefaf Brings Masterpieces (And Tulips) to the Armory,” New York Times online, 2 May 2019. (LINK)
Fazzare, Elizabeth. “Six Contemporary Artists Reinvent a Louis Vuitton Classic,” Architectural Digest, 31 August 2019.
“FIAC 2019: Gagosian Paris Présente Urs Fischer et Spencer Sweeney,” Numéro, 18 October 2019.
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Freeman, Nate. “Leonardo DiCaprio Had an ‘Open Mind’ When He Commissioned Artist Urs Fischer to Make This Very Unusual Potrait of His Family,” Artnet News, 15 October 2019. (LINK)
Grandjean, Emmanuelle. “Louis Vuitton a la banane,” Le Temps, 11 June 2019: 30.
“Group Show ‘People’ at Jeffrey Deitch, Los Angeles,” Blouin Artinfo, 21 February 2019. (LINK)
Guillaume, Hélène. “Les artistes nous aident à détruire pour mieux reconstruire nos icônes,” Le Figaro, 27 June 2019.
Gwyther, Huw. “Dreamscape,” Wonderland, Summer 2019.
“Headz Salon by Urs Fischer and Spencer Sweeney at La Java, Paris,” Purple Diary 16 October 2019.
(LINK)
Hlinovská, Eva. “Kabelka Jako Plátno,” Esprit Czech Republic, 3 July 2019: 87.
Inoue, Chiho. “3日間限定!ルイ・ブィトンの”ポータブルなアート”が代官山に,” Numero Japan, 28 June 2019.
Jeong, Song. “Missions in Public Art: Urs Fischer,” Public Art, May 2019: 38-39, 58-59.
Klein, Arnaud. “Master collab: 6 artistes s’associent à Louis Vuitton pour revisiter un sac star,” Vogue France, 12 June 2019.
———. “Savoir-faire: les secrets de confection du sac Louis Vuitton par l’artiste Urs Fischer,” Vogue France, 5 July 2019.
Kramer, Lola. “Urs Fischer : Homo Ludens,” L’Officiel International, 22 July 2019: 62-73.
Krehl, Margaux. “Six artistes revisitent le sac « Capucines » de Louis Vuitton,” Vanity Fair France, 7 June 2019.
Kubler, Alison. “Urs Fischer: Burning Down the House,” Vault Magazine, February: 54-59.
Kupper, Oliver Maxwell. “The Sacred and the Mundane: An Interview of Urs Fischer and Madeline Hollander,” Autre Magazine, 30 April 2019. (LINK)
Lai, Middy. “Capucines,” Mint Weekly Taiwan, 4 July 2019: 12-15.
Le Cron, Valentin. “Gagosian Paris Presents New Urs Fischer and Spencer Sweeney Exhibitions,” Say Who, 14 October 2019. (LINK)
Leonard, Fabrice. “Mode – L’art est dans le sac,” Le Point, 14 July 2019. (LINK)
Mahdal, Pavel. “Život krátky umení dlouhé,” Grade Czech Republic, 7 June 2019: 76-77.
Mehra, Pallavi. “Doha: 5 Architecturally Fascinating Features Of the Hamad International Airport in Qatar,” Architectural Digest India, 14 August 2019. (LINK)
Mello, Paula. “Pinceladas da moda,” Vogue Brasil, 5 June 2019: 44-47.
Miranda, Carolina A. “Datebook: Umar Rashid turns colonial histories upside down in paintings at VPAM,” The Los Angeles Times online, 13 June 2019.
———. “Datebook: Roy Dowell’s hypnotic plays on pattern,” The Los Angeles Times online, 25 April 2019.
Morris, Susan. “Urs Fischer shows a house made of bread in Connecticut gallery,” The Architect’s Newspaper online, 31 May 2019. (LINK)
Mower, Sarah. “Brand DNA,” Vogue UK, July 2019: 196-199.
Narinx, Cécile. “Louis Vuitton-tas,” De Volkskrant Magazine, 8 June 2019.
Nechamkin, Sarah. “The Enigmatic and Ever-Playful Artist Urs Fischer Shows Us His Camera Roll,” Interview Magazine, 25 April 2019. (LINK)
Onuki, Kohei. “現代の名品をキャンバスに。ルイ・ヴィトンと6人の現代アーティストが創造したアーティーカプシーヌ コレクション” Honey EE, 28 June 2019.
Pan, Yu Jen. “聯手6國際藝術家推Arty Capucines系列各款限量300件” China News, 3 June 2019.
Powell, Sukayna. “An Egg Is for Art, Not Just for Easter,” Elephant Art, 15 April 2019. (LINK)
Rea, Naomi. “Gagosian Has Borrowed a Self-Portrait by Rembrandt for a Face-Off with His Roster of Artists,” Artnet News, 12 April 2019. (LINK)
Rus, Mayer. “Artist Urs Fischer Reveals His Enchanting Home and Garden in Los Angeles,” Architectural Digest, December 2019: 108-115.
(LINK)
Sansom, Anna. “Urs Fischer Makes Wax Portrait of Leonardo DiCaprio and His Family for Gagosian Show,” The Art Newspaper, 14 October 2019. (LINK)
Shelby, Marley. “Louis Vuitton X,” office magazine, 1 July 2019.
Shuen, Keng Yang. “Louis Vuitton’s New Bag Comes with Vegetable Charms – And More,” Female Magazine Singapore, 10 June 2019. (LINK)
“Six Artists Talk Louis Vuitton ArtyCapucines Collaboration,” V Magazine, 27 June 2019. (LINK)
Sorrenti, Mario. “Urs Fischer Made a Giant Leonardo DiCaprio Candle, Then Lit It on Fire,” W Magazine, 14 October 2019. (LINK)
Stener, Von Christophe. “Angewandte Kunst,” l’Official Austria, June 2019: 140-143.
Talon, Kettj. “Louis Vuitton presenta le ArtyCapucines,” Nss Mag, 3 June 2019. (LINK)
Tapia, María. ”Louis Vuitton interviene su piel por primera vez en la historia en su bolso más atrevido,” Fuera de Serie, 26 June 2019.
Teng, Yoyo. ”The Award Goes to the Brave,” InStyle Taiwan, June 2019.
Tissot, Capucine. “L’instant mode: six artistes revisitent l’emblématique sac Capucines de Louis Vuitton,” Elle France, 11 June 2019. (LINK)
Tomizara, Sachiko. “ アーティスト6人の”カプシーヌ”“ Fujin Gaho, 1 July 2019.
Trebay, Guy. “The San Vicente Bungalows: Hollywood’s New Clubhouse,” The New York Times online, 23 February 2019. (LINK)
2019.
Tsai, Yvonne. “Artistic Vision,” Vogue Taiwan, June 2019.
Tsao, Clark. “時髦的藝術,” Bella, July 2019.
Urs Fischer and Madeline Hollander. “u 2 m 2 u 2 m,” Purple Diary Cosmos #32: 252-257.
“Urs Fischer ‘Leo,’ Gagosian Paris,” Inferno, 9 October 2019.
“Urs Fischer Makes Wax Portrait of Leonardo DiCaprio and His Family for Gagosian Show,” The Daily Observer, 16 October 2019.
(LINK)
“Urs Fischer for Miss Dior—Love N’Roses Exhibition Shanghai,” News of Fashion, 22 July 2019. (LINK)
“Urs Fischer: PLAY,” Curate LA, 25 April 2019.
“Urs Fischer: ‘Play,’| Art in Los Angeles,” Time Out Los Angeles, 6 April 2019. (LINK)
“Urs Fischer’s ‘Leo’ and Spencer Sweeney’s ‘Smalls’ Exhibition Opening at the Gagosian, Paris,” Purple Diary, 16 October 2019.
(LINK)
Van der Pot, Paulijn. “Art Bag,” L’Officiel Netherlands, July/August 2019: 32-33.
Verheyen, Géraldine. “Louis Vuitton signe une incroyable expo mode à Los Angeles,” L’Officiel, 8 July 2019. (LINK)
“Waarom zou je kunst alleen aan de muur hangen Met deze drie tassencollecties ben je een wandelende galerie,” Knack Weekend, 5 June 2019: 6.
Waga, Nel-Olivia. “Highlights from Frieze London 2019,” Forbes, 4 October 2019. (LINK)
“Werkschau,” Harper’s Bazaar Germany, August 2019: 45.
Westall, Mark. “Gagosian has opened an exhibition in honour of the reconstruction of the Cathédrale Notre-Dame de Paris,” Fad Magazine, 18 June 2019.
White, Natalie. “Louis Vuitton X Exhibition in Beverly Hills,” Senatus, 9 July 2019. (LINK)
Yang, Ginger. “像拾藝術品出門,” United Daily News, 14 June 2019.
Yang, Raven. “The News,” Harper’s Bazaar Taiwan, June 2019.
Yotka, Steff. “Louis Vuitton Opens a Monolithic Exhibition in L.A. and Debuts Six New Artist Collabs,” Vogue, 27 June 2019. (LINK)
Zeiba, Drew. “Urs Fischer presents a dark domestic fairy tale at the Brant Foundation,” The Architect’s Newspaper, 28 May, 2019. (LINK)
“6 artistes réinventent un sac Louis Vuitton,” Numéro Magazine, 13 June 2019. (LINK)
Angelopoulou, Sofia Lekka. “urs fischer sculpts larger-than-life wax candle of dasha zhukova and melts her to the ground,” designboom, 12 September 2018. (LINK)
Armstrong, Annie. “Small is Beautiful: Luxembourg & Dayan Will Stage Show of Alberto Giacometti’s Tiniest Works, with Urs Fischer Exhibition Design,” Artnet News online, 13 August 2018. (LINK)
“Art Cologne 2018 opens this week with top-quality international programme,” Art Daily, 19 April 2018. (LINK)
Azarella, Nina. “autonomously ‘dancing’ office chairs seem to have a life of their own,” designboom, 7 October 2018. (LINK)
———. “urs fischer creates a life-size rhinoceros sculpture surrounded by a constellation of ‘things,’” designboom, 18 May 2018. (LINK)
Barnes, Freire. “The Best Exhibitions to See in London This Week,” Culture Trip, 15 June 2018.
Belcove, Julie L. “Urs Fischer Contemplates the Meaning Of Art and Life in His Brooklyn Studio,” Architectural Digest, December 2018: 100 – 103. (LINK)
Bonami, Francesco. “Urs Fischer The Challenge,” Muse Magazine, Issue 50. (LINK)
Brown, Caroline. “Urs Fischer: Play,” Office Magazine, 11 September 2018. (LINK)
Buck, Louisa. “Everything you need to see at this week’s Frieze and beyond,” The Telegraph online, 4 October 2018. (LINK)
———. “Review: Glasgow International permeates city with its distinctively dystopian tentacles," The Art Newspaper, 24 April 2018. (LINK)
———. “Six shows not to miss at Glasgow International,” The Telegraph online, 4 May 2018. (LINK)
Burrows, Victoria. “How Zurich-West is emerging as the trendy art centre in Switzerland,” South China Morning Post, 11 March 2018. (LINK)
Cascone, Sarah and Caroline Goldstein. “On View: From Joan Mitchell’s Early Works to Daniel Arsham’s Dystopian Future: 45 Can’t-Miss Gallery Shows in New York This September,” Artnet News online, 30 August 2018. (LINK)
Clements, Andrew; Michael Cragg, John Fordham, Lyn Gardner, Jonathan Jones, Judith Mackrell and Steve Rose. “What to see this week in the UK,” The Guardian, 27 April 2018. (LINK)
Cohen, Alina. “Urs Fischer Sent Nine Office Chairs Dancing at Gagosian—and Wants You to Join In,” Artsy online, 10 September 2018. (LINK)
Creahan, D. “New York – Urs Fischer: ‘PLAY’ with Choreography by Madeline Hollander at Gagosian Gallery through October 13th, 2018,” Art Observed, 24 September 2018. (LINK)
“Dasha Zhukova to be set alight by Urs Fischer,” The Art Newspaper, 10 September 2018. (LINK)
Detrick, Ben. “A Chinatown Loft Party in the Spirit of Warhol’s Factory,” The New York Times online, 12 September 2018. (LINK)
Duponchelle, Valérie. “ÀVenise, quand l’artiste fait corps avec son oeuvre,” Le Figaro, 23 April 2018. (LINK)
Eckardt, Stephanie. “Urs Fischer’s Latest Art Stunt Is Lighting Dasha Zhukova on Fire,” W Magazine online, 15 September 2018. (LINK)
Elderton, Louisa. “Garage, 10 Years On. Dasha Zhukova On Russian Contemporary Art Scene and More,” Blouin Art Info, 6 September 2018. (LINK)
Evans, Melanie. “Is There a Future Perfect?” The Wall Street Journal online, 10 May 2018. (LINK)
Fatemi, Kiana. “RxArt Preview,” Flaunt Magazine, 5 November 2018. (LINK)
Fields, Duggie. “Duggie Fields, Urs Fischer, and Nicolas Party at The Modern Institute, Glasgow,” Mousse Magazine, 9 May 2018. (LINK)
Fontaine, Pearl. “Martine Gutierrez, Toyin Ojih Odutola, Liza Lou, and More Must See New York Shows,” White Wall online, 5 September 2018. (LINK)
Freeman, Nate. “Expanded West Bund Art Fair Builds Market Momentum in Shanghai,” Artsy, 8 November 2018. (LINK)
Goldstein, Andrew. “10 of the Best Artworks at Frieze London 2018,” Artnet News, 4 October 2018. (LINK)
Gordienko, Alexandra. “Urs Fischer,” Marfa Journal volume 3: 194 – 205.
Hanson, Sarah P. “Mexico City’s Material fair draws praise-and exhibitors from Zona Maco,” The Art Newspaper, 10 February 2018. (LINK)
“Η «Dasha» του Ουρς Φίσερ ετοιμάζεται να λιώσει,” Ta Nea online, 12 September 2018.
Heardman, Adam. “10 Booths to Visit at Frieze London This Weekend,” Mutual Art, 5 October 2018. (LINK)
Hong’e, Mo. “Contemporary art fair sets up camp in downtown Chengdu,” Ecns, 8 May 2018. (LINK)
Indrisek, Scott. “17 Shows You Need to See during Frieze Week in London,” Artsy, 1 October 2018. (LINK)
Jones, Jonathan. “Drop-dead impressionists and a petrol-powered candle—the week in art,” The Guardian, 14 September 2018. (LINK)
———. “Revolutionary Rodin and Tahiti before Gauguin—the week in art,” The Guardian, 20 April 2018. (LINK)
Judah, Hettie. “Glasgow International 2018, review: the star of the show is the city’s own creative drive,” iNews, 21 April 2018. (LINK)
———. “In the Age of the Selfie, Self-Portraits Are More Powerful Than Ever,” Garage, 18 April 2018. (LINK)
———. “Urs Fischer dans l’Intimité d’une Star du Marché,” Numéro art 2, Spring 2018: 126–137.
Kane, Ashley. “Why a decaying skeleton has been left at a bus stop in Miami,” Dazed, 17 January 2018. (LINK)
Kenney, Nancy, Ivy Olesen, and Helen Stoilas. “Three exhibitions to see in New York this weekend,” The Art Newspaper, 7 September 2018. (LINK)
Lelio, Chiara Betelli. “Dancing with Myself e Cows by the Water a Venezie,” Sensi del Viaggio, 19 April 2018. (LINK)
Libbey, Peter. “A Life-Size Rhinoceros Sculpture by Urs Fischer Will Go Up in Midtown,” New York Times online, 13 May 2018. (LINK)
Locoge, Benjamin. “Collection Pinault: miroir, ô mon beau miroir,” Paris Match, 30 April 2018. (LINK)
Mackenzie-Smith, Stevie. “The Philistine: The Very Best of London Culture This May,” Something Curated online, 30 April 2018. (LINK)
Magini, Elena. “Urs Fischer,” flash art, January 2018: 88-89.
Malone, Peter. “Urs Fischer and Gagosian Bank on a Big Pop-Up Show on Fifth Avenue,” Hyperallergenic, 19 June 2018. (LINK)
Martin, Olivia. “An Insider’s Guide to the Miami Design District,” Town and Country Magazine online, 17 July 2018. (LINK)
Martinique, Elena. “8 Gallery Shows to See in New York During Frieze Week,” Widewalls, 2 May 2018. (LINK)
Mastrandrea, Paige. “Miami’s Top Five Art Power Players 2018,” Haute Living, 27 November 2018. (LINK)
Mitchell, Jenness. “Mechanical snails crawl around The Modern Institute in Glasgow,” Evening Times, 27 April 2018. (LINK)
Mishan, Ligaya. “These Artists Are Creating Work That’s About, and Made From, Food,” T Magazine, 29 November 2018. (LINK)
Nechvatal, Joseph. “The Alluring Dance of Selfies and Self-Portraits,” Hyperallergenic, 23 May 2018. (LINK)
Neuendorf, Henri. “Artist Urs Fischer Transforms Collector Dasha Zhukova Into a Giant Wax Candle—Then Burns Her to the Ground,” Artnet News, 12 September 2018. (LINK)
Passard, Alain. “Comment ponder une oeuvre dure à cuire,” Beaux Arts, April 2018: 40.
Previti, Marta. “‘Dancing with Myself’ a Punta della Dogana: l’artista ricerca la sua identità,” Art Special Day, 23 May 2018. (LINK)
Rees, Lucy. “Artist Urs Fischer Creates Wax Candle of Museum Founder Dasha Zhukova,” Galerie Magazine, 10 September 2018. (LINK)
Sanderson, Rachel. “Homo Faber: the master craftsman versus the machine,” Financial Times, 11 May 2018. (LINK)
Savil, Nikil. “Money for Sale, Heroine-Injected Lasagna: How One Artist is Defining Our Era,” T Magazine, 13 August 2018. (LINK)
Stagg, Natasha. “PLAY,” Gagosian Quarterly, Winter 2018: 40 -46.
Testino, Arianna. “Dancing with myself. Identità multiple a Venezia,” Art Tribune, 22 April 2018. (LINK)
“Top Art Shows in London this Week: Urs Fischer to Julie Mehretu,” Blouin Art Info, 21 September 2018. (LINK)
“Top Art Shows in New York This Week: Cecilia Vicuña to Gauri Gill,” Blouin Art Info, 17 May 2018. (LINK)
Tosone, Austen. “This Surrealist-Inspired Garage is the New Focal Point of Miami’s Design District,” Interview Magazine online, 27 April 2018. (LINK)
Trebay, Guy. “In Florence, the David Gets Dressed and Gucci Gets a Garden,” New York Times, 10 January 2018.
“(LINK)”https://www.nytimes.com/2018/01/10/style/florence-italy-david-gucci-alessandro-michele.html
Urs Fischer: Dasha,” Time Out London, 17 September 2018. (LINK)
“Урс Фишер изобразил Дашу Жукову в виде восковой свечи” интерьер, 12 September 2018.
“Urs Fischer: Sōtatsu,” Gagosian Quarterly online, 29 May 2018. (LINK)
“Urs Fischer verzückt in New York mit tanzenden Stühlen," Monopol, 14 September 2018. (LINK)
Wells, Emily. “Urs Fischer ‘PLAY’ with Choreography by Madeline Hollander at Gagosian, New York,” Purple Diary online, 10 September 2018. (LINK)
Westall, Mark. “Opening tonight see Urs Fischer’s larger-than-life-size wax candle depicting Dasha Zhukova,” FAD Magazine, 11 September 2018. (LINK)
Wilson, Ashleigh. “Beyond the frame,” The Australian, 26 October 2018. (LINK)
———. “#NGA: I’ll melt before your eyes…gallery buys self-destructing work,” The Australian, 27 October 2018. (LINK)
Wilson, Michael. “Urs Fischer,” Artforum, December 2018: 209-210.
Zuchowska, Joanna. “The Modern Institute | Urs Fischer—Glasgow International 2018,” Art Mag, 29 April 2018. (LINK)
“5 Things T Editors Like Right Now,” T Magazine online, 16 February 2018. (LINK)
Amore, Maurizio. “Firenze, Fischer in Piazza della Signoria,” Turismo, 29 September, 2017. (LINK)
“Antichi e moderni, incontro a Firenze,” il Centro, 13 September, 2017. (LINK)
Biglia, Gabriele. “Firenze, Urs Fischer protagonist della Biennale dell’Antiquariato,” Il Sole 24 Ore, 3 September 2017. (LINK)
Blasberg, Derek. “The Bigger Picture: Rx Art,” Gagosian Quarterly, Winter 2017: 118-123. (LINK)
Bonami, Francesco and editorial staff. “Interview with Urs Fischer,” Vogue Italia n. 805, 6 September 2017: 253. (LINK)
Boucher, Brian. “Katy Perry and Urs Fischer Made a Sculpture Together—and It Was ‘Bliss,’” Artnet, 22 November 2017. (LINK)
Breen, Matt. “An artist has created a plasticine sculpture for you to defile as you please.” TimeOut London online, 23 February 2017. (LINK)
Buck, Louisa. “Urs Fischer’s Kiss provides anger therapy at Sadie Coles,” The Art Newspaper online, 3 February 2017. (LINK)
Castagni, Nicolette. “Fischer a Firenze per la Biennale dell’antiquariato,” Il Tirreno, 11 September 2017: 48.
“Con ‘Big Clay’ Urs Fischer torna in Piazza Signoria a Firenze,” ArtsLife, 1 March 2017. (LINK)
Corbett, Rachel. “Urs Fischer on His Miami Bus Stop, His Team-up with Katy Perry, and the ‘Most Difficult’ Project of His Life,” Artnet, 6 December, 2017. (LINK)
Dafoe, Willem. “Willem Dafoe’s Disappearing Act,” CR Men’s Book Issue 5, 29 September 2017. (LINK)
De Martin, Samantha. “Sculture Monumentali e Figure Che Si Sciolgono. A Firenze Il Nuovo Rinascimento di Urs Fischer,” Arte, 8 August 2017.
Deitch, Jeffrey. “Full Immersion,” Architectural Digest, December 2017: 104–111. (LINK)
Desmarais, Charles. “The Legion goes engagingly modern.” SF Gate online, 21 April 2017. (LINK)
Dodi, Emilia. “Urs Fischer occupa Firenze,” Visum, 2 August 2017. (LINK)
Eckardt, Stephanie. “If You’ve Ever Had the Urge to Cover Katy Perry’s Face in Clay, Here is Your Chance,” W Magazine, 17 December 2017. (LINK)
Falcini, Dario. “Secoli di arte dialogano tra loro a Firenze con le opere di Urs Fischer,” Wired, 28 September, 2017. (LINK)
“Firenze. A settembre in Piazza della Signoria arriva ‘Big Clay’ il colosso di Urs Fischer,” artemagazine, 29 July 2017. (LINK)
Garcia, Patricia. “Miami’s Design District Wants to be the Coolest Neighborhood in America,” Vogue Magazine online, 15 December, 2017. (LINK)
“In Florence: Urs Fischer,” ArtNoise, 31 July 2017. (LINK)
Judah, Hettie. “In London, Art That Transforms—While It’s on View.” New York Times Style Magazine online, 6 February 2017. (LINK)
Laster, Paul. “Urs Fischer on Katy Perry, Art Basel Miami Beach, and Why It’s Boring When People Compare Him to Duchamp,” Garage, 5 December 2017. (LINK)
Lucarelli, Niccolò. “Una mega installazione d’arte contemporanea in Piazza della Signoria a Firenze. Arriva Urs Fischer,” Artribune, 29 July 2017. (LINK)
Luppi, Stefano. “Firenze, Urs Fischer fa sciogliere Bonami e Moretti in piazza della Signoria,” Il Giornale dell’Arte, 28 July, 2017. (LINK)
Martelletto, Nicolette. “Fischer l’Arte che si Scioglie,” Il Giornale di Vicenza, 31 August 2017. (LINK)
Minicelli, Maria Cristina. “Wax figures,” attualità culturale, 17 November, 2017.
Nordstrom, Leigh. “Art Basel Miami Beach: Urs Fischer Breaks His Rule for Design District Celebration,” Women’s Wear Daily, 6 December 2017. (LINK)
Rau, Gaia. “Urs Fischer: Il colosso d’acciaio che dialoga col Rinascimento.” La Repubblica, 23 September 2017.
Risaliti, Sergio. “Quando Firenze Era Capitale dei Ritratti in Cera,” Corriere Fiorentino, 22 September 2017: 3.
———. “Qui e ora,” Lugarno n.56, November 2017.
———. “Visionary and romantic.” Firenze Made in Tuscany, September 2017: 92–95.
Semmola, Edoardo. “Del colosso e delle cere.” Corriere Fiorentino, 23 September 2017.
———. “Fischer oscura la Logia dei Lanzi,” Corriere Fiorentino, 21 September 2017: 7.
Silvestrini, Valentina. “Piazza Signoria nel segno di Urs Fischer: a Firenze esposte tre opere dell’artista svizzero,” Artribune, 22 September 2017. (LINK)
Smith, Roberta. “That Chair’s Charming, but Can I Sit in It?” New York Times, 26 May 2017: C16. (LINK)
Stewart, Ian A. “New Urs Fischer Show Lights a Fire at the Legion of Honor.” San Francisco Magazine online, 21 April 2017. (LINK)
Turner, Jethro. “An Interview with Urs Fischer about his New Show ‘The Kiss’ at Sadie Coles HQ, London.” Purple.fr, 2 February 2017. (LINK)
Trione, Vincenzo. “Il ritorno del ritratto (ma il ritratto si scioglie),” laLettura, 17 September 2017: 26-27. (LINK)
“Urs Fischer on Display,” Florence News, October 2017: 2.
“Urs Fischer in piazza della Signoria,” The Florentine, 22 September 2017. (LINK)
“Хороший год “Гаража”: от Яей Кусамы до нового Урса Фишера," Москва2, 9 June 2016.
“Художник недели: Урс Фишер,” Trendspace, 19 February 2016.
Belova, Natalie. ""МАЛЕНЬКИЙ ТОПОР" УРСА ФИШЕРA," The Wall, June 10 2016.
Binlot, Ann. “the people’s pottery: Urs Fischer’s public clay making takes Moscow.” Wallpaper.com, 10 June 2016.
Chardon, Élisabeth. “Urs Fischer et ses amis consolent le MAH.” Le Temps, 28 April 2016: 20.
Cotter, Holland. “Portraits of America in the Selfie Age.” New York Times, 29 April 2016: C19.
“Даша Жукова на праздничном вечере в “Гараже”," Tatler, 10 June 2016.
Edmonson, Tess. “Urs Fischer at Garage Museum of Contemporary Art.” Flash Art, 15 August 2016. (LINK)
“Выставка Урса Фишера в “Гараже”," GQ Russia, 10 June 2016.
Fedyunina, Anna. “Куда пойти в Москве: самые интересные события июня,” Hello Russian, 22 June 2016.
Fischer, Urs. “Beyoncé by Urs Fischer.” Garage, Spring/Summer 2016: 67–9, cover.
Fischer, Urs and Juergen Teller. “Eyeballs and Hairloss.” Arena Homme+, no. 46, Winter 2016–Spring 2017: 394–441.
""Гараж" отпраздновал годовщину открытием выставки Урса Фишера," Büro 24/7, 10 June 2016.
""Гараж" представляет выставку художника-провокатора Урса Фишера," TV Культура, 9 June 2016.
""Гараж" отпразднует день рождения открытием выставки Урса Фишера," Lenta, June 8, 2016.
Gross, Jack. “Urs Fischer on Translating ‘YES’ in Moscow.” BlouinArtinfo, 14 June 2016.
Guskov, Sergey. “19 московских выставок лета,” Büro 24/7, June 14, 2016.
""Я пытаюсь создавать красоту": Урс Фишер о деньгах, снобизме и нелюбви к Шагалу," aФИwaDaily, 9 June, 2016.
Inez & Vinoodh, “The New Alphabet,” V Magazine, Spring 2016: 186–7.
Kabanova, Olga. ""Гараж" открыл летний сезон," Ведомости, 9 June 2016.
Khachaturov, Sergey. “Сергей Хачатуров: Урс Фишер – это интервенция в постсоветское пространство,” LK Review, Summer 2016.
Kinash, Anna. "КУРАТОР ВЫСТАВКИ УРСА ФИШЕРА РАСШИФРОВЫВАЕТ ПОСЛАНИЕ ХУДОЖНИКА, " Interview. 20 June 2016.
Mazzoleni, Clara. “Urs Fischer.” Rolling Stone (Italy), November 2016: 72–75. (LINK)
Miskaryan, Kara. " Игры Урса Фишера," Art Newspaper Russia, 7 June 2016.
Nicolin, Paola. “Urs Fischer.” Artforum, December 2016: 274.
Novikova, Anastasia "В “Гараже” открывается выставка Урса Фишера," RBC, 9 June 2016.
Obrist, Hans Ulrich. “Von Riesen und Zwergen.” Das Magazin, no. 41, 15 October, 2016: 8.
Pogrebin, Robin “David Zwirner is Selected to Display the Works of Josef Albers,” New York Times, 19 May 2016: C20.
Russeth, Andrew. “Around New York.” ARTnews, Summer 2016: 120.
Saltz, Jerry. “This Eight-Foot Candle Portrait Mesmerized Me.” New York Magazine, 16–29 May 2016: 102–103.
Schurenkov, Alexander. "Урс Фишер: “Искусство не умеет,” RBC, 10 June, 2016.
Swanson, Carl. “134 Minutes With… Tara Subkoff and Urs Fischer,” New York Mag, 7 January 2016.
“Урс Фишер в “Гараже”: почему это стоит увидеть," TV Культура, 9 June, 2016.
“Музей “Гараж” отметит год переезда," TACC, 9 June 2016.
“Выставка Урса Фишера “Маленький топор” в “Гараже”," Vogue Russia, 28 March 2016.
Wakefield, Neville. "Урс Фишер: “Вместо Микеланджело у нас теперь Уолт Дисней”," АРТГИД, 10 June 2016.
Winzavod, Cic. “Москва: топ-11 выставок мая-июня,” The Village, 24 May 2016.
Antsakli, Alexia. “Urs Fischer: Natural order.” Artflyer.net, 15 May 2015. (LINK)
Blandino, Francesca. “Un epidemico immaginario. Urs Fischer a Napoli.” Artribune.com, 5 May 2015. (LINK)
Diehl, Travis. “RES / LES / LEDs.” X-TRA, vol. 17, no. 2, Winter 2015. (LINK)
Elkann, Alain. “Urs Fischer.” Alain Elkann Interviews online, 14 January 2015. (LINK)
Fischer, Urs, Peter Regli, and Alex Eagleton. “Why another cookbook?” Anew, Spring/Summer 2015: 58¬–64.
Haynes, Doug. “Surrealism & Contemporary Art.” Garage, Fall/Winter 2015: 144–51.
Mason, Brook. “Water works: Urs Fischer’s fountains on show at LA’s Gagosian Gallery.” Wallpaper online, 30 September 2015.
Mayer, Stefan. “Marmor oder Wachs?: Der Raub der Sabinerinnen,” Kunst + Unterricht, no. 397/398, 2015: cover, 38–42.
McEwen, Adam, and Urs Fischer. “Art is a Translator, Art is a Friend.” Mousse Magazine, no. 48, April–May 2015: cover, 294–309.
Omori, Toshikatsu. “The Scale of Reality, Shaken by the ’Life-Size.” Bijutsu Techo, Spring 2015: 64–7.
Pogrebin, Robin. “Schnabel Gallery to Open.” New York Times, 13 November 2015: C24.
Russell, Anna. “Vito Schnabel Sets Up Shop in the Alps.” The Wall Street Journal, 11 December 2015: D6
Sakamoto, Ryuichi. “Sensory Duality.” Neue Journal, no. 1, Spring 2015: 88–91.
Solway, Diane. “AdvanceGuard,” W Magazine, 4 March 2015. (LINK)
Tinari, Philip. “The Gwangju Biennale and the Taipei Biennial.” Artforum, January 2015: 207-208.
Van den Boogerd, Dominic. “Generatie Y, traditie X.” De Witte Raaf, no. 178, November–December 2015: 19.
Boucher, Brian. “Out of Control: Urs Fischer and Gagosian Take Manhattan.” Art in America online, 2 April 2014.
Coomer, Martin. “Go Figure.” Time Out, 17-23 June 2014: 86.
Cullinan, Nicholas. “Urs Fischer’s Objects and Images.” Parkett, no. 94, 2014: 54–77.
Curiger, Bice. “The Imperfectionist.” Tate Etc., no. 30, Spring 2014: 96–9.
Deitch, Jeffrey. “Ton-Art: Urs Fischer.” Vogue Deutsch, March 2014: 274-9.
Douglas, Sarah. “The Art of Eating.” T: The New York Times Style Magazine, 11 May 2014: 154-9.
Guner, Fisun. “The Human Factor, Hayward Gallery,” The Arts Desk, 18 June 2014. (LINK)
Indrisek, Scott. “Forget Go-Go Schadenfreude, Bank on Urs.” Artinfo.com, 4 April 2014.
Januszczak, Waldemar. “The Way Ahead.” The Sunday Times, 22 June 2014: 8-9.
Kazakina, Katya. “Greek Tycoon Host Slaughterhouse Fete as Art Markets Made,” Bloomberg, 27 June 2014.
Luke, Ben. “Go figure!.” Evening Standard, 17 June 2014: 36-7.
McCord, John. “Gwangju Biennale Celebrates Asia’s Consumer Culture,” Artnet News, 8 September 2014. (LINK)
Morse, Trent. “Working the Crowd.” ARTnews, September 2014: 80.
“Museum and Gallery Listings for April 18-24,” New York Times, 17 April, 2014: C22. (LINK)
Odukoya, Olu. “Girls, Old and New.” Modern Matter, no. 6, Spring/Summer 2014.
Osborne, Lawrence. “Beyond the Sea,” T Magazine, March 21, 2014: M296. (LINK)
Pepi, Michael. “Gagosian expands again with an Urs Fischer exhibition in New York.” Apollo online, 20 April 2014. (LINK)
Pilger, Zoe. “The Body Politic.” The Independent, 16 June 2014: 40-1.
Prospero. “From protest to celebration,” The Economist, 8 September 2014. (LINK)
Prendergast, Lara. “Less cuddly, more creepy: The Human Factor at the Hayward Gallery,” The Spectator, 14 August 2014. (LINK)
Russeth, Andrew. “Urs Fischer at Gagosian Gallery and the Lever House Art Collection.” The Observer online, 16 April 2014. (LINK)
Sadler, Victoria. “The Human Factor at Hayward Gallery.” Huffingtonpost.co.uk, 7 August 2014.
———. “Review: The Human Factor at Hayward Gallery,” Huffington Post, 8 July 2014.
Searle, Adrian. “The Human Factor review-hell is other people’s sculptures,” The Guardian, 16 June 2014. (LINK)
Smith, Roberta. “Urs Fischer.” New York Times, 19 December 2014: C9.
Solway, Diane. “The Art of Being Pharrell.” W Art, June-July 2014: cover, 50-53.
———. “The Art of Being Pharrell.” W Magazine Korea, August 2014: 137–40.
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“Expo: Fracassant.” Stylist (France), no. 3, 2 May 2013: 16.
Finkel, Jori. “MOCA gala takes walk on the wild side.” Los Angeles Times, 21 April 2013. (LINK)
———. “Urs Fischer and 1,000 volunteers go big—and messy—at MOCA.” Los Angeles Times, 14 April 2013. (LINK)
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———. “Problem Painting.” Art in America, January 2013: cover.
———. “The Problem with Paintings.” Garage, no. 4, Spring/Summer 2013: 128–37.
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Galli, Marta. “Between Metamorphosis and Entropy.” Muse: 82–7.
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———. “Good Vibrations: Yesssss! MOCA Gala 2013.” Angeleno, June 2013: 38.
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Rathe, Adam. “They’ve Been Framed.” DuJour, Spring 2013: 176–81.
Salle, David. “Pedal to the Metal: Provocateur Urs Fischer goes for broke at MoCA.” Town & Country, June/July 2013: 40.
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Wakefield, Neville. “Bear with Me.” Garage, no. 4, Spring/Summer 2013: 140–5.
“Why New York?” Jocks & Nerds 1, no. 8, Autumn 2013: 93.
Williams, Maxwell. “Urs Fischer: The Laws of Disorder & Control.” Flaunt, no. 128, Summer 2013: 116–21, cover. (LINK)
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———. “The New Collage.” ARTnews 112, no. 11, December 2013: 60–7.
Amend, Christoph. “Ganz große Kunst.” ZEITmagazin, no. 6, 2 February 2012: cover, 12–21. (LINK)
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———. “Urs Fischer, un cerebral en trios dimensions.” Le Figaro, 20 April 2012. (LINK)
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———. “Selbstporträts zweier Melancholiker.” Der Falter, 22 February 2012: 29.
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———. “Pinault, pape de l’art à Venise.” Le Parisien, 21 April 2012. (LINK)
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———. “Wenn einer Dinge liebt, die schiefgehen.” Kurier, 17 February 2012: 30.
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———. “Der Punk unter den Poppern?” Monopol, 1 June 2012.
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———. “Why You Should Go See Urs Fischer’s New Show at Gavin Brown.” Gallerist NY online, 21 October 2011. (LINK)
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———. “The Year in Art.” New York Magazine, 7 December 2008. (LINK)
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Fischer, Urs. “Production Notes.” Artforum, October 2007: 351.
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———. “Starker Auftritt.” Schweizer Illustrierte, no. 21, 21 May 2007: 98-99.
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Lequeux, Emmanuelle. “Biennale de Venise: Les meilleurs pavillons.” Beaux Arts, no. 276, June 2007: 57.
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Schoch, Ursuala Badrutt. “Viele Bilder und ein paar Bäume.” Der Bund, 9 June 2007: 37.
Smith, Roberta. “It’s Just Clay, But How About a Little Respect?” New York Times, 9 July 2007: E29, E38.
Stolz, Noah. “San Stae. Urs Fischer e Ugo Rondinone.” Kunst-Bulletin, no. 8, July/August 2007: 49-50.
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“Traum & Trauma. Werke aus der Sammlung Dakis Joannou, Athen.” Vernissage, no. 267, September 2007: 16-19.
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Ayar, Afshan. “Niets is wat het lijkt.” R’Uit Magazine, May 2006: 26-27.
Cerizza, Luca. “City Report.” Frieze, October 2006: 253.
Clausen, Eva. “Der unaufhaltsame Aufstieg des Monsieur Pinault.” Neue Zürcher Zeitung, no. 99, 29-30 April 2006: 49.
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Eeley, Peter. “2006 Whitney Biennial.” Frieze, 7 June 2006.
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Fischer, Urs. “A Cacophony for a Formidable Iconoclast: Alison Gingeras, John Baldessari, Gisela Capitain, and others on Martin Kippenberger.” Tate Etc., no. 6, Spring 2006. (LINK)
———. “Crème de Yvette.” AnOther Magazine, no. 10, Spring 2006: 33-45.
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Kerwin, Jessica. “On With the Show.” W Magazine, May 2006: 128, 130.
Klaasmeyer, Kelly. “Space and Quiet.” Houston Press, 22 June 2006.
Leij, Machteld. “Fischers beelden speels en wreed.” NRC, 2 May 2006: 9.
Neil, Jonathan T. D. “The Fischer King” ArtReview, December 2006: 70-74.
Plagens, Peter. “Madison Avenue Ennui.” Art in America, June-July 2006: 76-69.
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Capelli, Pia. “L’arte? Bisogno guardarla, non ragionarla.” Libero, 4 May 2005: 36.
———. “O’Chair, per Trussardi arrivano le Jet Set Lady.” Libero, 15 April 2005: 21.
Casadio, Mariuccia. “In/Out.” Casavogue, April 2005: 139-143.
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Comer, Stuart. “Double Deutsche.” Artforum.com, 22 October 2005.
Didero, Maria Cristina. “La materia delle Favole.” Ottagono, May 2005: 30.
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Ghizzardi, Federica. “Tutti a spiare il Ricciolo proibito.” La Prealpina, 7 May 2005: 9.
———. “Una cassa tutta da mangiare.” La Prealpina, 5 May 2005: 16
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Basting, Barbara. “Vitalitätstest glorreich bestanden.” Tages-Anzeiger, 10 July 2004: 41.
Binswanger, Daniel. “Langeweile beim Nasenbohren.” Weltwoche, no. 12, March 2004: 9.
Burnett, Craig. “Urs Fischer: Elton John?” The Guide, 4 December 2004: 37.
Carmine, Giovanni. “Urs Fischer: Personal Weather.” Flash Art, January-February 2004: 84-87.
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Herzog, Samuel. “Le roi est mort—vive le Kir.” Neue Zürcher Zeitung, no. 158, 10-11 July 2004: 43.
Hess, Ewa. “Fischers Sicht der Dinge: Der Zürcher Künstler Urs Fischer verblüfft die Kunstwelt—und steht vor dem internationalen Durchbruch.” SonntagsZeitung, 4 January 2004: 35, 37.
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Jones, Jonathan. “Urs Fischer: Arts Review.” The Guardian, 7 January 2004.
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Marzahn, Alexander. “König Artus im Wunderland: zwischen Stuhl und Bänken.” Basler Zeitung. 29 July 2004: 27.
Morton, Tom. “Roll With It.” Frieze, no. 86, October 2004: 138-41. (LINK)
Richardson, Brenda. “Down the Rabbit Hole.” Parkett, no. 72, 2004: 58-62.
Ruf, Beatrix. “wanted to turn the music on but it was already playing.” Parkett, no. 72, 2004: 76-80.
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von Arx, Ursula. “Fischer das Urtier.” Das Magazin Tages-Anzeiger, no. 10, 12 March 2004: 8-14.
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———. “Urs Fischer: Contemporary Fine Arts.” Frieze, no. 67, 5 May 2002. (LINK)
Blom, Ina. “My Head Is on Fire but My Heart Is Full of Love.” Frieze, 9 September 2002. (LINK)
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“Exile on Main Street: Een Muurtje op Fundamenten Van Groenten en Fruit,” NR 81, July 2002.
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Morton, Tom. “The Object Sculpture at Henry Moore Institute.” Frieze, 9 September 2002.
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Siepen, Nicolas. “Nichts für Bing Crosby.” Berliner Seiten, Frankfurter Allgemeine Zeitung, no. 29, 4 February 2002: 6.
“Ugo Rondinone, John Giorno & Urs Fischer.” Village Voice, 5 March 2002: 79.
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Maurer, Simon. “Der Künstler als ‘Büetzer.’” Tages-Anzeiger, no. 63, 25 April 2000: 63.
Meier, Philipp. “Der leise Seufzer der Kunst. Die Art Cologne: Deutschlands führende Modernmesse.” Neue Zürcher Zeitung, 11-12 November 2000.
Meister, Helga. “Zu viele kindliche Seelen.” Düsseldorfer Nachrichten, 6 November 2000.
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“Alles mögliche nebeneinander.” Stehplatz, no. 54, September 1997.
“Une Fiac aux couleurs de la Suisse.” Le Journal des Arts, no. 44, 26 September 1997: 13-14.
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Maurer, Simon. “Sexy Kuhfladen.” Tages-Anzeiger Züritipp, 1996: 50.
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